The latest publication by Minna Törmä explores the development of four private collections of Chinese art by people from Nordic countries. Törmä’s research may be seen as a continuation of her interest in the Finnish-born Swede, Osvald Sirén (1879–1966), a preeminent historian of Chinese art in Europe. Sirén was one of the first academically trained art historians who visited China to conduct research on Chinese art history, in contrast to others who went on exploratory excursions or archaeological activities and extracted objects for museums or institutional studies.