Highlights
Morphing Landscape: Hong Xian’s Ink Abstraction
In the second half of the 20th century, Houston-based artist Hong Xian (Margaret Chang, b. 1933) crafted a remarkable corpus of abstract ink paintings. By the late 1970s, her work had reached a wider audience in the United States through solo touring exhibitions organized by Chu-tsing Li (1920–2014), a Chinese American art historian and active promoter of young modernist artists from Taiwan and the United States.
Wang Tiande: Transforming Art by Collecting
Trained in Chinese painting and calligraphy at the Zhejiang Academy of Fine Arts (now China Academy of Art), Wang is well versed in classical aesthetics and literati idealism, but remains conscious not to let tradition limit his creativity.
Materials of Inspiration: Zheng Chongbin
Contemporary artist Zheng Chongbin (b. 1961, Shanghai) has turned Chinese painting inside out, focusing on its materials and surface, the performance and process of painting.
Lalan’s Metaphysical Journey Through Her Artistic Practice
Xie Jinglan (1921–95), nicknamed Lalan, was an artist who paved her search into spirituality through the oeuvre she composed, choreographed, performed, and painted.
A Battlefield of Judgements: Ai Weiwei as Collector
One wonders, however, whether this artist is not best known for the wrong reasons. Ai Weiwei, son of the celebrated modern poet Ai Qing (1910–96), has a side that is often overlooked. This larger-than-life figure is one of the most passionate collectors and connoisseurs of Chinese antiquities, particularly jade, that I have met. In fact, he financed much of his early work as a contemporary artist through the sale of antiques.