Since World War II, women have made influential contributions to the ceramics field in Japan that have not been adequately recognized. This exhibition focuses on the explosion of innovative and technically ambitious compositions by such artists since 1970—a body of work which they developed in parallel with, but often separately from, traditional, male-dominated Japanese practice and its countermovements.

Both established and emerging artists with a range of styles are presented together to showcase their collective achievements and impact. Mishima Kimiyo (born 1932), Tsuboi Asuka (born 1932), and Ogawa Machiko (born 1946) began their careers decades ago and continue to produce groundbreaking sculpture that pushes the limits of the clay medium. Konno Tomoko (born 1965), Aoki Katsuyo (born 1972), and Oishi Sayaka (born 1979) are part of younger generations and are represented by thematic groupings ranging from bodily distortion to fantastical decoration. While all of these women have routinely confronted expectations about their practice, they have frequently responded by refusing gender-imposed constraints, whether by approaching traditionally “feminine” subjects—such as flowers—in unconventional ways or by creating so-called “masculine” works, such as large, geological forms.