Highlights
Shokoku-ji Jotenkaku Museum 40th Anniversary Exhibition, Legacy of Zen Temples: Shokoku-ji, Kinkaku-ji and Ginkaku-ji, Kyoto
Over the centuries, Zen Buddhism and its institutions have served as a catalyst for the creation and preservation of Japanese art. Zen monasteries have built up extraordinary collections of artworks and transmitted them from generation to generation. This is especially the case for one of the most prominent monasteries in Japanese history, Kyoto’s Shōkoku-ji.
Splendid Patchwork: Buddhist Monastic Robes from Minneapolis Institute of Art
The Minneapolis Institute of Art (Mia) has cultivated a distinguished collection of Chinese art with notable strengths in several areas. Qing dynasty (1644–1911) silk textiles are represented with nearly one thousand works, comprising one of the largest and best collections in the West.
In Conversation with Wang Xudong, Director of the Dunhuang Academy
The Mogao caves at Dunhuang comprise 492 cave temples, replete with murals, statuary and manuscripts accumulated over the course of 1,000 years, from approximately the 4th to the 14th century. As such, the site is considered one of the most significant troves of Buddhist art anywhere in the world.
Hariti Domesticated: Re-evaluating Structures of Patronage in Gandharan Art
Strategically located on pan-Asian trade networks in modern-day northwestern Pakistan and Afghanistan, the region named Gandhara was of tremendous economic importance in the early centuries of the Common Era, a locus of exchange between cultures, both in terms of trade and ideas. Over the centuries, it was successively occupied by Achaemenid, Mauryan, Greco-Bactrian, Scythian, Parthian and finally, Kushan rulers, with each of these foreign dynasties leaving imprints of their visual culture and belief systems.
Philippine Gold: Southeast Asian Trade and Transmission
The Wenxian tongkao (Comprehensive Examination of Literature by Ma Duanlin [1245–1322]) mentions a Philippine ship arriving in China in 982 and subsequent dynastic records list gold as an item of exchange. But the Chinese records contain no details about the nature of the gold that was traded, and it is not until the 16th century arrival of the Spanish that we are provided with a wealth of information about gold working and the ornaments themselves.
Buddhist Art Initiative: Connectivity as a Driver for Change
The creation of Buddhist sculptures, paintings, and ritual implements, and the use of a wide range of symbolic representations in Buddhist visual culture, served originally to support religious practice and lead believers to the Buddha’s teachings. Whether as a devotional object, a donation for merit making, a visualization tool used in ritual, or a vehicle for the path of meditation, Buddhist art fulfills its spiritual purpose all the more when it evokes transcendence of all form, the illusory realm of phenomena, and when it assists believers in attaining deeper levels of realization.