APR 2002
VOLUME 33 - NUMBER 4
FEATURES
Rob Linrothe. Stretched on a Frame of Boundless Thought: Contemporary Religious Painting in Rebgong
Seizo Hayashiya. Tea Ceremony Utensils and the Wabi Aesthetic
Wu Hung. A Deity Without Form: The Earliest Representation of Laozi and the Concept of Wei in Chinese Ritual Art
Jan Stuart and Chang Qing. Chinese Buddhist Sculpture in a New Light at the Freer Gallery of Art
Guolong Lai. Lighting the Way in the Afterlife: Bronze Lamps in Warring States Tombs
COMMENTARY
Steven Vincent. Commentary: Schultz Convicted
VOLUME 33 - NUMBER 4
FEATURES
Rob Linrothe. Stretched on a Frame of Boundless Thought: Contemporary Religious Painting in Rebgong
Seizo Hayashiya. Tea Ceremony Utensils and the Wabi Aesthetic
Wu Hung. A Deity Without Form: The Earliest Representation of Laozi and the Concept of Wei in Chinese Ritual Art
Jan Stuart and Chang Qing. Chinese Buddhist Sculpture in a New Light at the Freer Gallery of Art
Guolong Lai. Lighting the Way in the Afterlife: Bronze Lamps in Warring States Tombs
COMMENTARY
Steven Vincent. Commentary: Schultz Convicted
VOLUME 33 - NUMBER 4
FEATURES
Rob Linrothe. Stretched on a Frame of Boundless Thought: Contemporary Religious Painting in Rebgong
Seizo Hayashiya. Tea Ceremony Utensils and the Wabi Aesthetic
Wu Hung. A Deity Without Form: The Earliest Representation of Laozi and the Concept of Wei in Chinese Ritual Art
Jan Stuart and Chang Qing. Chinese Buddhist Sculpture in a New Light at the Freer Gallery of Art
Guolong Lai. Lighting the Way in the Afterlife: Bronze Lamps in Warring States Tombs
COMMENTARY
Steven Vincent. Commentary: Schultz Convicted