Jun 1979
VOLUME 10 - NUMBER
Islamic Calligraphy
Railway to the Clouds
Li Ti’s “The Cat”
Glorious Graveyard Sanchi
Contemporary Art of Singapore
Cover. Portrait of Husayn Zarin Qalam, a celebrated calligrapher at the court of the Mughal Emperor Akbar, and his youthful pupil, Manohar, who was to become a master of Mughal painting. India 990 H. (1581 A.D.). H. 21 cm. W. 32 cm. This painting is appended to a manuscript of the Gulistan of Manohar, painted when he must have been about 15. In Islamic art, portraits of calligraphers or painters are very rare. Courtesy, The Asia Society, from its exhibition, It is written: Calligraphy in the Arts of the Muslim World; on loan from the Royal Asiatic Society.
FEATURES
Rene Q. Bas. Manila’s Own Met
Amando E. Doronila. Australia (II): The Yanks Under the Southern Cross
Sanford J. Kornberg. Taipei: Modern Soul of Ancient China
William D. Middleton. Taiwan’s Railway to the Clouds
Lynn E. Feinerman. Pagsanjan: Listening to the River
Husein Rofe. The Joys of Islamic Calligraphy
Tseng yu. Li Ti’s Cat
Patricia Bahree. A Graveyard Celebrates Life
H. Elliott McClure. Hashioki: Art of the Chopstick Rest
M. Foster Farley. Shivaji the Great of the Marathas
Christopher Hooi. Modern Art in Singapore
Taiwan Alive and Well
Road to Ali Shan
PREVIEWS & REVIEWS
Nigel Cameron. Book Review: Japanese Art In World Perspective
VOLUME 10 - NUMBER
Islamic Calligraphy
Railway to the Clouds
Li Ti’s “The Cat”
Glorious Graveyard Sanchi
Contemporary Art of Singapore
Cover. Portrait of Husayn Zarin Qalam, a celebrated calligrapher at the court of the Mughal Emperor Akbar, and his youthful pupil, Manohar, who was to become a master of Mughal painting. India 990 H. (1581 A.D.). H. 21 cm. W. 32 cm. This painting is appended to a manuscript of the Gulistan of Manohar, painted when he must have been about 15. In Islamic art, portraits of calligraphers or painters are very rare. Courtesy, The Asia Society, from its exhibition, It is written: Calligraphy in the Arts of the Muslim World; on loan from the Royal Asiatic Society.
FEATURES
Rene Q. Bas. Manila’s Own Met
Amando E. Doronila. Australia (II): The Yanks Under the Southern Cross
Sanford J. Kornberg. Taipei: Modern Soul of Ancient China
William D. Middleton. Taiwan’s Railway to the Clouds
Lynn E. Feinerman. Pagsanjan: Listening to the River
Husein Rofe. The Joys of Islamic Calligraphy
Tseng yu. Li Ti’s Cat
Patricia Bahree. A Graveyard Celebrates Life
H. Elliott McClure. Hashioki: Art of the Chopstick Rest
M. Foster Farley. Shivaji the Great of the Marathas
Christopher Hooi. Modern Art in Singapore
Taiwan Alive and Well
Road to Ali Shan
PREVIEWS & REVIEWS
Nigel Cameron. Book Review: Japanese Art In World Perspective
VOLUME 10 - NUMBER
Islamic Calligraphy
Railway to the Clouds
Li Ti’s “The Cat”
Glorious Graveyard Sanchi
Contemporary Art of Singapore
Cover. Portrait of Husayn Zarin Qalam, a celebrated calligrapher at the court of the Mughal Emperor Akbar, and his youthful pupil, Manohar, who was to become a master of Mughal painting. India 990 H. (1581 A.D.). H. 21 cm. W. 32 cm. This painting is appended to a manuscript of the Gulistan of Manohar, painted when he must have been about 15. In Islamic art, portraits of calligraphers or painters are very rare. Courtesy, The Asia Society, from its exhibition, It is written: Calligraphy in the Arts of the Muslim World; on loan from the Royal Asiatic Society.
FEATURES
Rene Q. Bas. Manila’s Own Met
Amando E. Doronila. Australia (II): The Yanks Under the Southern Cross
Sanford J. Kornberg. Taipei: Modern Soul of Ancient China
William D. Middleton. Taiwan’s Railway to the Clouds
Lynn E. Feinerman. Pagsanjan: Listening to the River
Husein Rofe. The Joys of Islamic Calligraphy
Tseng yu. Li Ti’s Cat
Patricia Bahree. A Graveyard Celebrates Life
H. Elliott McClure. Hashioki: Art of the Chopstick Rest
M. Foster Farley. Shivaji the Great of the Marathas
Christopher Hooi. Modern Art in Singapore
Taiwan Alive and Well
Road to Ali Shan
PREVIEWS & REVIEWS
Nigel Cameron. Book Review: Japanese Art In World Perspective